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Manley Shrimp

Great Condition Manley Shrimp Tube Preamp

  • Very short, simple minimalist signal path. All-tube design. 2 x 12AT7 + 2 x 7044

  • Generous energy storage via large power supply capacitors for more impact in the bass.

  • No global feedback makes the Shrimp very fast sounding.

  • Non-inverting two-tube gain stage is direct-coupled for most pure signal path.

  • Cool White-follower output stage provides low 50 Ohm output impedance. This is much better than a boring plain ol’ cathode follower. The Shrimp can drive anything, not to worry.

  • Filament supply floated 80V above chassis ground for quieter operation and longer tube life.

  • NOBLE audiophile-grade level and balance pots. We use the nice parts in here!

  • MIT/MultiCap polypropylene audiophile-grade signal coupling capacitors, including two 30 uF monsters on the output stages.

  • Warm-up delay / MUTE button. Features and quality components usually not found on entry-level pieces.

Manley Snapper Pair

Pair of amazing Snapper Tube Amps. All Brand new JJ Tubes with Blue Glass

    • Input Impedance RCA: 475 Kohm

    • Input Impedance XLR: 15 Kohm or 600 Ohm switchable

    • Input Sensitivity RCA: 750mV input = 110W output

    • Input Sensitivity XLR @ 15Kohms: 1.5 V input = 110W output

    • Input Sensitivity XLR @ 600 Ohms: 2.4 V input = 110W output (w/600 Ohm source)

    • Gain RCA: factory set for 31 dB; Range = 29.5 to 34.5dB

    • Gain XLR: factory set for 25 dB

    • Negative Feedback: factory set for 9dB of global NFB

    • Maximum Output Power into 5 Ohms: 110 Watts (1.5% THD @ 1kHz)

    • Maximum Output Power into 8 Ohms: 100 Watts (1.5% THD @ 1kHz)

    • Signal to Noise Ratio Ref. 1W: Typically 90 dB A-WGT 20-20K

    • Noise Floor: Typically 105μV = -77dBu A-WGT
                          Typically 388μV = -66dBu unweighted

    • Dynamic Range: 98dB

    • THD+noise @ 1W: less than 0.1%

Plinius 9200

Plinius 9200 Solid State Integrated amp. Recently sent to Plinius for the following upgrades:

1) all electrolytic capacitors replaced with Nichicon Gold or MUSE audio grade caps
2) power supply caps are replaced with Nichicon or Cornell Dubilier low ESR versions
3) output device emitter resistors replaced with low inductance Mills resistors
4) main power supply rectifier replaced with 40 amp Schottky FRED low noise fast switching type
5) stage coupling capacitors replaced with Audience AuriCap XO
6) wiring from line amp stage to output replaced with shielded microphone cable with one end grounded
7) all relays replaced
8) Furutech Rhodium IEC connector
9) switches disassembled cleaned and lubricated
10) volume control cleaned

Wilson WATT/Puppy 5

Great condition WATT Puppy 5 pair:

  • NEW Diffraction Pad set ($500)
  • Watt 7 Tweeters
  • Watt 6 Mid Drivers
  • NEW Port Diffraction Pad
  • Cloth grill for Watt & Puppy

Theta Dreadnaught D

One balanced output with 5-way binding posts per channel.

Standby: Amplifier is ready to be turned on via front panel switch or remote trigger.
Overcurrent, D.C., and/or thermal protection: Amplifier will cycle.
Catastrophic D.C. or output stage failure: Amplifier will shut down.

Power Output

Mono or Stereo Module
8 ohms: 225W RMS per channel with less than 0.05% THD from 20 Hz to 20 kHz:
4 ohms: 375W RMS per channel with less than 0.05% THD from 20 Hz to 20 kHz.
2 ohms: 500W RMS per channel with less than 0.05% THD from 20 Hz to 20 kHz.

Mono Bridged Module
8 ohms: 500W RMS per channel with less than 0.05% THD from 20 Hz to 20 kHz4 ohms: 800W RMS per channel with less than 0.05% THD from 20 Hz to 20 kHz.

Frequency Response
+0, -.5 dB 0Hz to 20 kHz, load independent.

Damping Factor
Greater than 6000 at 100 Hz; Greater than 2000 at any frequency up to and including 20 kHz.

Signal to Noise Ratio
120dB referenced to rated output (A-Weighted)

-85 dB

McIntosh D100 Digital Preamp

Frequency Response: +/-0.5dB from 4Hz to 20kHz +0.5/-3dB from 4Hz to 68kHz (source dependent) Total Harmonic Distortion: 0.0015% Rated Output Voltage: Fixed: 2.0 Vrms Unbalanced, 4.0 Vrms Balanced Variable: 0-8 Vrms Unbalanced, 0-16 Vrms Balanced Headphone Load Impedance: 20 to 600 Ohms Overall Dimensions (W x H x D): 17-1/2” (44.54cm) x 3-7/8” (9.8cm) x 16” (40.64cm) including the front panel, knobs and cables Weight: 13.5 lbs (6.1 kg) net, 28 lbs (12.7 kg) in shipping carton

Paradigm Signature S6

Near perfect condition.

Cherry Finish

High-Frequency Driver

25-mm (1 in) P-Be™ dome; ferro-fluid damped / cooled; rear damping chamber with ARB™ fins and integrated heatsink; dual super-neodymium ring magnets; die-cast heatsink chassis; IMS/SHOCK-MOUNT™

Midrange Driver

102-mm (4 in) Co-PAL™ cone; ferro-fluid damped / cooled; ATC™ chambers; 25-mm (1 in) dual-layer voice coil; dual superneodymium ring magnets; AVS™ die-cast heatsink chassis; IMS/SHOCK-MOUNT™

Bass Drivers

Two 178-mm (7 in) mineral-filled polypropylene cones; overmolded NLC™ surrounds; 38-mm (1-1/2 in) four-layer voice coils; massive hard ferrite magnets; AVS™ die-cast heatsink chassis; IMS/SHOCK-MOUNT™ Low-Frequency Extension* 30 Hz (DIN) Frequency Response On-Axis: ±2 dB from 46 Hz – 35 kHz

Wilson Sasha 2

Woofers – Two – 8 in. (20.32cm)
Midrange – One – 7 in. (17.78 cm)
Tweeter – One – 1 in. Dome (2.54 cm)

Krell KRC-3 Balanced Pre-Amp


Gain: 6.5dB single-ended; 12.36dB balanced

Frequency Response: 0.3Hz-300kHz, +0, -3dB; 20Hz-20kHz, +/-0.05dB

Input Impedance: 47.5kohms

Output Impedance: 15ohms

Output Voltage: 9V/18V RMS (single-ended/balanced)

THD: <0.009%, 20Hz-20kHz

S/N Ratio: >101dB, “A” weighted

Inputs: 1 balanced XLR, 4 single-ended/RCA

Outputs: single-ended tape and main/RCA; balanced main XLR

Dimensions (inches): 3.5x19x15.5 (HxWxD)

Weight: 22lb unpacked